Immisceo logo from the Immisceo series by Shona Clingham. Gold circular sigil on a black background with sparse starlight and character symbol elements positioned on the sigil.

Immisceo

 

Power does not save you. It only changes what you can destroy.

 

HISTORY · CHARACTERS ·  MAP · BOOKS

 

The Immisceo Series explores power, grief, loyalty, and control through five intersecting forces:

 

a mother struggling not to become a weapon,

a man who chooses to stay without protection,

a protector trapped inside obedience,

a survivor who builds sanctuary through fear,

and a regime that mistakes control for peace.

 

Together, they ask what remains of a person when survival demands everything.

 

Read Chapters 1-3

History and Magic

 

With magic as the highest form of power, and those with magic in authority, non-magic humans rank generally low in society, but even within the vast community of witches there is discrimination. Witches of the world were all once gifted in magic of both the mind and of the elements. Their power came to be known as Immisceo magic, meaning mixed…

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History remembers outcomes. Not the cost of becoming.

 

Characters

Character symbol for Luciana, a character from the Immisceo series by Shona Clingham. Symbol is a rock in a pointed oval shape, cracked through with light and green growth. There is light behind the rock on a dark background and the symbol is encircled by a gold detailed sigil.

Luciana

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Some lives are shaped by what others fear. Luciana’s is shaped by what she refuses to become — even as power and authority rewrite the limits of her survival.

Character symbol for Nate, a character from the Immisceo series by Shona Clingham. Symbol is an eight-pointed star compass rose on a dark background with muted sepia stars inside a detailed gold sigil

Nathaniel

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Nate has no magic, no illusions, and no safe exits — only the resolve to stay when leaving would be easier.

 

Character symbol for Garrett, a character from the Immisceo series by Shona Clingham. Symbol is an old-style pistol on a dark background with sparse stars encircled by a gold sigil build from lines.

Garrett

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Garrett chose order over conscience when survival demanded loyalty — and he lives every day inside the cost of that choice.

Character symbol for Amara, a character from the Immisceo series by Shona Clingham. Symbol is an amethyst in a pointed oval shape, reflecting light on a dark background with purple light radiating from behind and encircled with a gold sigil.

Amara

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Before she understood power, Amara understood fear — and that she was the cause. The rest of her life would be shaped by what others believed she was meant to become.

Character symbol for the Duciti, a group of characters from the Immisceo series by Shona Clingham. Symbol is a dark, looming tower representing the prison Greyfall Tower from the series. There is dim light in the topmost small windows. It sits on a dark background with very little light coming from behind casting an atmostphere of a dark, cloudy night. It is encirlced by a detailed gold sigil.

THE DUCITI

Leaders of the Nosiran Covens

An order that confuses control with stability, the Duciti preserve peace through sanctioned cruelty — erasing lives, outlawing power, and calling it balance.

A wooden lay figure with strings attached to raised arms representing being controlled with a quote from Immisceo Taken by Shona Clingham. The quote reads: Her options were nothing more than illusions. There would be no running, she realised. Only dancing. And the Duciti were the ones pulling the strings. (From Chapter Two)

 

 

A dark, looming tower representing Greyfall Tower on a dark background with dim light behind it and a quote from Immisceo Taken by Shona Clingham. The quote reads: The tower loomed above them, growing, casting its cold shadow over them all as they drew closer. Tangled ropes of green ivy blanketed one side of the tower, blackened in places—carved deep into the mottled stone like scars. (From Chapter Four)

 

 

A semi cloudy night sky with a full moon and with a quote from Immisceo Taken by Shona Clingham. The quote reads: No matter how bleak and black her existence became, the familiar sight of the moon restored something within her, small as it was—like tiny fluttering wings of flame beating back the darkness. (From Chapter Seven)

 

 

A forest scene with fog and a quote from Immisceo Taken by Shona Clingham. The quote reads: ‘So, we follow orders blindly now? Like sheep? Admit it, Garrett, this is too far. Even for her.’ The whispering stopped for a moment and Nate prepared to run. Then Garrett spoke. ‘She has her reasons.’ ‘None that we’ve heard of,’ came the first voice. ‘She has her reasons for that, too.’ (From Chapter Five)

 

 

A close up shot of some wood and the beginnings of a fire with a quote from Immisceo Taken by Shona Clingham. The quote reads: ‘Run,’ her father cried. A solitary tear streaked down his cheek, glistening in the light of the fire. ‘Go,’ he pleaded. She cast long looks at both her parents. A tight ache blossomed in her chest as the fire began to roar in earnest behind her. ‘I’m so sorry,’ she said. Then she slipped around her mother for the last time and ran. She hurtled to the base of the pyre, hidden in the curtain of smoke. Her breath came quick and heavy as she pelted toward the thicket of trees on the other side of the clearing. She didn’t dare look back. The final cries of her parents echoed in Amara’s ears as she ran. And they would continue to echo for a long time to come. (From Prologue)

 

 

An interior with white panelled walls and grey tiles, a doorway and light cast through an unseen window on the right with a quote from Immisceo Taken by Shona Clingham. The quote reads: ‘No more antics, Nathaniel. Please—just leave.’ ‘Just like that?’ Nate said, his words at odds with his expression. Garrett shrugged, looking for the first time like his much younger brother. ‘I can’t protect a corpse, can I?’ (From Chapter Seventeen)

 

 

A close up shot of a circular drain grate with a quote from Immisceo Taken by Shona Clingham. The quote reads: ‘Must we always argue?’ ‘Not at all,’ Nate said, his expression serene. ‘Just do it my way for once.’ Luciana’s nostrils flared as she glowered at him. ‘Fine. If you flaming well die, I’ll…’ ‘Build a statue in my honour?’ (From Chapter Twenty)

 

 

Dark blue background with blue and white lightning with a quote from Immisceo Taken by Shona Clingham. The quote reads: ‘We all know pain,’ Nate said. ‘It becomes a part of us… But it doesn't define us.’ (From Chapter Eighteen)

 

 

Purple and pink gradient sky with starlight with a quote from Immisceo Taken by Shona Clingham. The quote reads: ‘You fail to acknowledge just how amazing you actually are. I would happily spend the rest of my days trying to make you see yourself the way I do.’ (From Chapter Eighteen)

 

 

Dark grey background and a cropped image of a white lily on the right and a quote from Immisceo Taken by Shona Clingham. The quote reads: ‘Let me.’ She hesitated, giddy with the weight of his words. Could she give herself so easily to another man? Could she trust him? He had saved her life… And every opportunity he’d had to walk away from her, he’d surprised them both and stayed. (From Chapter Eighteen)

 

 

Sweeping sky scape with sunrise colours with a quote from Immisceo Taken by Shona Clingham. The quote reads: It was more real than anything she’d ever imagined, and she clung to that in the same way that the sky clung to the earth. (From Chapter Nineteen)

 

 

NOSIRAS

World Map

 

The capital of Nosiras is Tyne, one of three cities in the region.

Talon sits to the South, while the largest city is Campana (City of Bells).

Maps of Nosiras, a fictional world from the Immisceo series by Shona Clingham
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BOOKS

Immisceo Taken — Shona Clingham

Book One

 

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Immisceo Bound

Book Three

To follow.

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About Shona Clingham

Female, 40s, mother, writer, artist.

Author of Immisceo and Blood’s Veil.

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Disclaimer: The Immisceo Series and related creative content are works of fiction by Shona Clingham. Names, characters, businesses, places, and events are either products of the author’s imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.